| Exploration of cultural representations of 'Chineseness' and its responses |
 12 October 2002
Dimsum spoke to Pak Ling Wan, Film Acquisitions Officer at the British Film Institute, to discuss the Chinese place within the British film industry. |
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 12 October 2002
Find out what's playing during the free film festival. Get booking now! |
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 12 October 2002
Over on the other side of the Atlantic, Jeff Park puts forward his views on a recent US film release, 'Blue Crush'. |
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15 April 2002
Todd Tran reviews this unique performance |
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15 April 2002
Cloud Gate, Taiwan's leading contemporary dance theatre, brings its unique and poetic blend of East and West to London. Dimsum teams up with Sadler's Wells Theatre to offer Dimsum readers the opportunity to see them at half price! |
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1 April 2002
Sometime in 2000, in The Tanglewood Center, Massachusetts, forty musicians bring the ancient Silk Road to life in New England. Among them are a Mongolian singer, an Iranian Setar player and the cellist Yo Yo Ma. Each brings a wealth of knowledge from their individual musical heritage. Combined, they share a common will to search for and discover the common ground of music making. |
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1 April 2002
Stuart Wood reviews the latest musical contribution from Yo Yo Ma. |
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1 April 2002
Following last month's performances of 'The Sun is Shining' by the British Chinese theatre group Mu-Lan, Laiyan Man speaks to Paul Courtenay Hyu, director, for his opinion of Chinese representation in British theatre, and his plans for Mu-Lan in the future. |
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10 March 2002
'We Were Soldiers' is a film that lies... about the Vietnam War, how and why and for whose benefit it was fought, and who paid the price...read Mike Marqusee's review. |
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 Laiyan Man reivews the latest offering "The Sun is Shining" from Mu Lan, the British-Oriental theatre company set up in 1989 |
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1 March 2002
Classical Graffiti, the debut album from The Planets, has attracted diverse comment. In his review, composer Chris Atkinson offers praise for The Planets' 'virtuoso and technical skill', but condemns 'antiseptic and bloodless' production values. |
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