| Beijing, Lomo and Me |
| Culture | |
It's one of life's easier decisions, whether to take a photograph or not. I know I always will. I have been documenting my life through photography for over four years. Capturing the ordinary and not so ordinary moments of my life. I am no professional photographer. The unsophisticated Russian Lomo LC-A camera I use captures moments with a different quality, a companion wherever I go. The KGB were issued with them and it has recently gathered a rather fashionable worldwide following. The Lomographic Society promotes the camera and photography with a no rules philosophy - otherwise known as Lomography and the followers call themselves Lomographers. Lomographers are encouraged to experiment with the photographic medium and aim to push the boundaries of traditional photography. In this increasingly digital society, the 35mm film still offers many possibilities for creative and experimental photography.Every few years the Lomographic Society organises a gathering of Lomographers in a different location around the world. This year they decided at the last minute to hold it in Beijing and I decided to go with a few English Lomo friends. I'll be honest it wasn't the location that excited me, it was the prospect of spending time with people from around the world who shared an interest in this camera. Days before the trip there was a few niggling thoughts at the back of my mind. What was I going to expect? How would I react to being in China, the birthplace of my parents and ancestors? How would the people react to this British born Chinese with a Mancunian accent? Up until then I had not been anywhere east of Germany. Outside I look Chinese but I don't speak Mandarin, only Cantonese and ashamedly I can barely read or write Chinese beyond the simplest of characters. My parents were right I should have spent more time studying at Sunday school when I was younger.
We were taken to the most popular tourist sites such as the Great Wall, a boat trip to the Summer Palace, the Forbidden City and Tiananmen Square. There were however some unconventional things on our itinary. For example a ping pong tournament with a local kids ping pong academy, we got given kites to fly at Tiananmen square, visiting the Tongxian artists community at an ex-miltary factory, had a taxi challenge around the city, there was also a trip to a state owned spirit factory. The clicking of cameras shutters became a constant background noise wherever we went. We documented the launch of the new BMW at Ritan Park. The Western world taking notice of this growing market trying to attract a privileged audience and it's new found spending power. The car launch was in conjunction with the opening of a magnificent photo wall exhibition containing thousands of photographs by Lomographers from around the world, including some of my own. At least people who can't afford the car can take part in our lo-tech unusual photographic methods. The Congress lasted seven days and accumulated in the awarding of the title of the best Lomographer 2004 and the announcement of the first Lomographic Embassy in China.
Spending a few extra days after the Congress I wandered the modern clean streets of downtown Beijing, visited the markets and shopping malls. To feel really at home my friends and I took a taxi and hunted down the first fish and chip shop in China. Tucked away in the back streets of the Sanlitun bar distinct this newly opened establishment served up the most fantastic fresh fish and chips with a bottle Tsingtao beer. I must say it was better than most fish and chips served up over here and cheaper. As a final memento I got a photograph taken with the owners. Although my parents have recently moved on from their take-away business I know they would appreciate it! At times I felt I awkward invading peoples personal privacy by taking pictures of them going about their daily lives that are lived so openly on the streets. Sometimes I was greeted with angry shouts other times a smile. More often than not a strange quizical look as I took a photograph of a sign or a taxi. Nevertheless as a photographer you grow hardened and at every opportune and inopportune moment I had my camera out taking a shot. Know that things will be different the next you visit also makes you instinctively take more photographs. In our group we may have taken photographs of the same places but saw things in a different way. A split second difference changing a situation.
With over a thousand photographs taken over the course of ten days, I put together a set of photographs that captured Beijing from a different angle.'Beijing, Lomo and Me' is about those three things in that order. It's not your usual set of tourist shots and they are not perfect photographs but photographs that meant to work with each other. It's big collection put together as a series of photo walls. Like stills from a movie all laid out, a blur of patterns and colours, you can almost see the movement. It demands a closer look and each time you will notice something different. Before I visited Beijing I had no real urge to go to China. Now I somehow feel connected and miss it. It would be impossible to capture everything as it is changing at such a pace but that gives me an excuse to return. Maybe a visit to the even more modern Shanghai. However not before I take some Mandarin lessons first. In the meantime I will continue to documenting my life in Britain with my LC-A. Looking back at the photo walls I will remember fondly the Beijing and the extraordinary time I had there. For other people this alternative snapshot of Beijing may encourage you to visit and explore the city with a new way of seeing things. Edward Jung
If anyone would like to know more about my work, would like an introduction to Lomo cameras and Lomography then feel free to contact me edward[at]onoffonoff.org. It would be nice get in touch with other Chinese Lomographers and photographers in Britain. Links: |
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