| Master of a Thousand Faces Actor James Hong turns 81 |
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| Features | |
| Friday, 26 February 2010 | |
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Arguably the most instantly recognisable Asian character actor, James Hong, who turned 81 this week, is also one of the most prolific and distinguished performers of both the small and large screen. Though you may not recall his name, Hong’s dignified presence in an array of small but significant parts has left an indelible mark in countless classic television shows and critically acclaimed movies. Whether it is his turn as Faye Dunaway’s noble butler in Roman Polanski’s superb noir mystery Chinatown or his role as the ill-fated genetic designer Hannibal Chew in Ridley Scott’s cult science fiction film Blade Runner, Hong always commands our attention in the tiniest of parts. He was in the classic spoof Airplane! for a mere moment but played the role of a suicidal Japanese General to memorably hilarious comic effect. And who could forget him as the immortal ghost sorcerer Lo Pan in Big Trouble in Little China, in what is perhaps his most substantial film role to date.
Born in the Chinatown section of Minneapolis, Minnesota, USA in 1929, Hong was sent to his family’s native Hong Kong for his education but returned to the US to study civil engineering. He practiced as a road engineer for Los Angeles until an interest in acting led him to study with the renowned teacher Jeff Corey. In the early 1950s acting became his full time occupation and he came into quick demand for any TV show that required an Asian part. With his slender, long-faced appearance and six foot frame Hong could take on a variety of different roles that included Charlie Chan’s ‘number one’ son in the late 1950s TV series The Adventures of Charlie Chan.
From filmmakers as diverse as Roman Polanksi, Ridley Scott and John Carpenter to actors as significant as Jack Nicholson, Faye Dunaway, Kurt Russell, Rutger Hauer and Jack Black. He has appeared in some of the most critically acclaimed and commercially successful films of all time, from cult classic science-fiction and noir thrillers to big-budget Hollywood productions and contemporary animated features. By bringing a relaxed distinction to everything that requires a character part of Asian decent Hong has carved out a niche for himself that has allowed him to remain consistent in a career that now spans over 50 years. I for one look forward to watching out for the next James Hong performance for many years to come. Oliver Pfeiffer |
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